Almost still.

Hand cut paper installation wall mount, paper between transparent plexiglass .
An intimate self-portrait within the artist's home. Daria often turns the lens inward, choosing self-portraiture as a means of reclaiming her identity. After nearly two decades of being the subject, her image shaped by others, she found herself at the mercy of the camera's gaze, her essence defined by external forces. Now, through the act of turning the camera upon herself, she reclaims the power of creation, granting herself full autonomy over the narrative and the resulting image—a reclamation of self, captured in a moment of quiet reflection.